SKU: 23040334203
lawn and garden bug spray

lawn and garden bug spray RTU Yard Guard

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Description

lawn and garden bug spray RTU Yard GuardReady To Use Cedar Oil Lawn Spray Yard Guard is a ready ready to use version of our concentrate it is non toxic, natural, and ready to use bug spray for outdoor pest control. It is designed to kill and repel insects such as mites, ants, fleas, mosquitoes, ticks, and many other pests. How To Use: Shake well before use. Attach to the hose, turn the valve to mix Begin spraying Ready to Use Fresh, cedar scent Treats approximately 5,000 sq. ft. Apply

Ready To Use Cedar Oil Lawn Spray

Yard Guard is a ready ready-to-use version of our concentrate it is non-toxic, natural, and ready-to-use bug spray for outdoor pest control. It is designed to kill and repel insects such as mites, ants, fleas, mosquitoes, ticks, and many other pests.

How To Use: 

  • Shake well before use.
  • Attach to the hose, turn the valve to mix
  • Begin spraying
  • Ready to Use
  • Fresh, cedar scent
  • Treats approximately 5,000 sq. ft.

Apply monthly or as needed. One quart treats about 5,000 sq ft.

Be sure to check out our Concentrate for larger applications: Natures Defender Lawn & Garden Concentrate 

For Prevention

Spray your lawn monthly with Nature's Defender to kill and repel fleas, ticks, mosquitos, ants, and mites. For added prevention, broadcast Cedar Granules throughout your yard every 6 weeks for additional protection against these insects. 

 

For Active Insect Problems

Start by treating your yard twice, two weeks apart, and then monthly after that. For ongoing issues, it is also recommended to pair Nature's Defender with Cedar Granules to actively target and repel reoccurring pest issues.

*This product  is EPA EXEMPT from federal registration (25b product) It poses no harm to the environment, pets, farm animals, water ways, soil, crops, your customers or the community. 

How it works:

Powered by nature, Cedarwood oil is the active ingredient that fuels our products at Cedar Oil Industries. The natural essential oil repels and kills various biting, flying, and damaging insects and arachnids.

Cedarwood oil kills and repels bugs naturally in a number of ways: It disrupts their pheromones, messes with their body chemistry, and leads to dehydration and suffocation.

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SKU: 23040334203

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4.5 ★★★★★
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Product Reviews
D
Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Massapequa, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Battle Creek, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Chelsea, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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